Curtis Harding New Vinyl Thursday

It’s Curtis Harding New Vinyl Thursday at The Vinyl Underground at 7th Heaven. Check out this week’s list of new vinyl arrivals:

Andrew Gabbard – Homemade (Camo Green Colored Vinyl, Indie Exclusive)

Bardo Pond – Amanita (Gatefold LP Jacket, Purple Colored Vinyl, Purple)

Bill Frisell – Valentine

Bill Withers – Live at Carnegie Hall (180 Gram Vinyl)

Billy Idol – Happy Holidays (White Colored Vinyl, Indie Exclusive)

Bush – Razorblade Suitcase (in Addition) (Colored Vinyl, Pink)

Bulbous Creation- You Won’t Remember Dying

Billy Strings – Home

Bob Marley- Best of Bob Marley

The Beatles – Revolver

Curtis Harding – If Words Were Flowers

Cat Stevens- Teaser And The Firecat

Courtney Barnett – Things Take Time Take Time (Gatefold LP Jacket, Blue Colored Vinyl)

Christone “Kingfish” Ingram- 662 (Purple Colored Vinyl)

Can – Live In Brighton 1975 (Limited Edition, Colored Vinyl, Gold)

Cody Jinks – Mercy (Blue, Black, Clear Vinyl)

Czarface & MF DOOM – Czarface Meets Metalface

Weekly Review:

With the bizarre, delayed public announcement of British/ American underground rapper MF DOOM’s death on Dec. 31, 2020 (his actually passing was two months earlier on Oct. 31) classic hip hop fans and critics alike are giving most things DOOM related a second and third look.
On the heels of this year’s earlier posthumous collaborative release “Super What?”  Rough Trade has just reissued 2018’s “Czarface Meets Metalface,” the first full length collaboration between MF DOOM and Czarface (the hip-hop supergroup consisting of Wu-Tang Clan member Inspectah Deck, 7L, & Esoteric).
Make no Mistake this is a Czarface record. Doom is responsible for about a quarter of the raping in this album but his raspy relaxed delivery makes for a perfect foil to Inspectah Deck’s more cutting freak show  barker style.
In keeping with the comic book inspired antics both of these rappers are famous for, the stage is set early for a battle between the self appointed “Hero” (Czarface) and the original Mad Villan of hip-hop (MF DOOM).
Like any good superhero story we begin in a dark and crime ridden world.  The album doesn’t so much begin as it emerges from the shifting diseased, miasma of a modern dystopia filled with fentanyl addicts asking:  “Do you have any medicine?”
Track one “Meddle with Metal” marches in with a Roman militaristic quality to introduce  our heroes with the chant: “Czar! DOOM! Czar! DOOM! Czar! DOOM!“
While the rhymes are truly proficient, the real secret weapon of this record is in the production. 7L’s masterful intermingling of solid grooves with entertaining sound effect elevates the verbiage on this record ten fold.
This records high point is the track Phantoms, well timed at about the half way through, it features excellent guest  performances by Open Mike Eagle and Kendra Morris.
The self-effacing, superhero, vibe keeps most the subject matter accessible on this album but just below the surface you’ll find some deep commentary on issues of masculinity, economics and class struggle as it relates to African Americans in the era of Trump! The beats are phat and meaty, reminiscent of the golden days of 90’s era Gangster Rap sans all the gang posturing and blatant misogyny.  – Major Matt
Weekly Review 2:
Just six months ago, the hip hop collective Czarface released Super What, collaboration with celebrated
underground rapper and producer MF Doom. Now Czarface have reissued Czarface Meets Metal Face,
their first partnership with MF Doom.
Both Czarface and MF Doom base their aesthetic around comic books, 1970s cartoons, inside jokes and
obscure pop-culture references. What seems like a perfect match on paper works even better on the
2018 album. With old-school production from 7L, Doom, Wu-Tang Clan member Inspecta Deck and
Esoteric trade rhymes packed with references to comic book artist Steve Ditko, San Antonio Spurs coach
Gregg Popovich and jazz pianist Dave Brubeck.
MF Doom has always been an artist of interest, with dedicating fans searching for diligently for any
morsel of sound they can find. Since Doom’s unexpected death in October, 2020, (though not
announced until two months later) the hunger for all things Doom has only intensified. Czarface Meets
Metal Face will not only please these Doom fans, but anyone who enjoys a more laid-back style of hip
hop more interested in having fun than tough posturing – with better lyrical and rhyming skills to boot. -Joel Francis

Doors – L.A. Woman (50th Anniversary Deluxe Edition, With LP, Anniversary Edition)

Depeche Mode- Ultra

DREAMVILLE – Revenge Of The Dreamers III (J.Cole)

Descendents- 9th & Walnut

Weekly Review

Nearly 40 years after their debut album, So-Cal punk rockers the Descendents have gone back to their
roots. In 2002, drummer Bill Stevenson invited former members Tony Lombardo, bass guitar, and
guitarist Frank Navetta to record songs from the early days that for whatever reason never made it onto
an album. During last year’s shutdown, Stevenson sent the tapes to singer Milo Aukerman to add vocals.
Although the musicians in their 40s and 50s performed songs written as teenagers or 20-somethings,
the Descendents don’t have any problem summoning their youthful energy. Guitarist Navetta wrote
more than half of the songs 9th and Walnut. He died in 2008, so the album also serves as a memorial to
his writing and talents.
Named after the quartet’s old rehearsal space, 9th and Walnut’s 18 songs go by in a high-octane blur of
25 minutes. This blink-and-you’ll-miss-it approach makes it tough for any songs to stand out from the
others – they are each done in about 90 seconds – but a few do make the jump. “Tired of Being Tired”
has nice harmony vocals. Hearing a grown man passionately deliver childish insults on “You Make Me
Sick” and throw a tantrum on the next track, “It’s My Hair,” is amusing. An exuberant cover of the Dave
Clark Five’s “Glad All Over” ends the album on a high note.
A couple of the songs on 9th and Walnut were released as the band’s first single back in 1980, before
Aukerman joined the band. The new version of “Ride the Wild” lacks the lo-fi, surf guitar charm of the
original. The re-recording of “It’s a Hectic World” maintains the original tempo, but misses the nervous
It would be unrealistic to expect the nuance and growth the Descendents showed on later albums in this
collection of early songs. For what it is, 9 th and Walnut is an instant party, brief though it may be. Just be
sure to have a few more Descendents albums ready to cue up to keep the good times rolling. -Joel Francis

Fela Kuti – Box Set 5 (Poster, With Booklet)

Garbage – beautifulgarbage (180 Gram Vinyl, 20th Anniversary Edition)

Gillian Welch and David Rawlings – All The Good Times

Weekly Review:

Over the course of folk/Americana performer Gillian Welch’s 25-year career, she’s written songs
recorded by Emmylou Harris, Trisha Yearwood, Alison Krauss, Jimmy Buffett and many others. Now,
after releasing five albums of all-original material with husband and collaborator David Rawlings, Welch
flips the script with an all-covers album.
All the Good Times features 10 songs written by expected influences, such as Bob Dylan, John Prine and
Norman Blake, and several traditional numbers. Surprisingly, the album takes a few tracks to get off the
ground. The arrangement of “Oh Babe, It Ain’t No Lie” is so delicate and pretty it is hard to believe

Welch when she signs “I wish to my soul that old woman would die” in the first verse of the opening
song. Rawling’s treatment of Dylan’s “Senor” lacks the patient beauty that made Willie Nelson and
Calexico’s reading so transfixing on the I’m Not There soundtrack more than a dozen years ago.
Fortunately, All the Good Times lifts off on the third song, “Fly Around My Pretty Little Miss.” Welch and
Rawlings’ arrangement of this traditional number rests somewhere between a lullaby and a singalong.
Welch nails the loneliness at the heart of Prine’s “Hello in There.” The duo have a lot of fun with
“Jackson,” a big hit for Johnny Cash and June Carter in 1967.
That All the Good Times is Welch’s first album in nearly a decade is cause enough for many to pick up
this release. Fortunately, Welch’s impeccable quality control is nearly as strong on her choice of covers
as it is with her own material. -Joel Francis

GoGo Penguin – Ocean In A Drop

Greta Van Fleet- The Battle At Garden’s Gate

Hotline – You Are Mine

J. Cole – The Off-Season

Jerry Garcia / John Kahn – Garcialive Volume 14: January 27th, 1986 The Ritz

Jerry Garcia- Jerry Garcia Band (30th Anniversary, Deluxe Edition, 180 Gram Vinyl)

Joe Bonamassa – Now Serving: Royal Tea Live From The Ryman (Clear Vinyl)

Kacey Musgraves- star-crossed

Kendrick Lamar- Good Kid, M.A.A.D City

Kenny Burrell- Midnight Blue

Liam Kazar- Due North

Weekly Review:

Liam Kazar is a Kansas City-based musician by way of Chicago. He also happens to be an acclaimed chef/founder of the Armenian pop-up restaurant Isfahan. His album “Due North” has just been released on Woodsist / Mare Records (KEVIN MORBY’s ((another KC based musician)) Woodsist imprint).
“Due North” is debut solo album, which is  a little late in the game for Kazar but that doesn’t mean he’s been sitting around.  Aside from his aforementioned culinary skills, for the past ten years he’s been recognized in the studio and on stage with the likes of Jeff Tweedy, Chance The Rapper, Steve Gunn, Daniel Johnston, amongst others.
Figuring out how to step up from the supportive position of being in a band to fronting his own musical project proved to be a transformative experience for Kazar:
“This record kind of all stemmed from a conversation I had with Jeff, (Tweedy)” says Kazar. “I showed him some of my earliest songs I was working on and he told me, ‘It sounds like you’re writing for the people in your bands, you’re not writing for yourself.’ He was completely right. I was not writing songs for myself.”
Kazar sites Al Green’s 1978 The Belle Album as an inspiration. The grooves are downright infectious.
“I was trying to talk about things that I’m scared about but acknowledging that I’m not that powerful and you can still be joyful in the face of your own insecurities.”
The result of this self exploration is an upbeat album that resembles a slightly more soulful David Byrne record with more complex Soul, R&B, and even Americana shades.
The opening track “So Long Tomorrow” extols the virtues of living in the present and may or may not have something g to do with life in pandemic times:
“I hang my coat on any old hook
But I prefer the second from the left
I lost a few good years killing time
But I’d never call it theft
There’s a million things I’d like to know
But I’d never plan to ask
I just bid so long tomorrow
Farewell to the past
I bid so long tomorrow
Farewell to the past”
Along with drummer Spencer Tweedy and bassist Lane Beckstrom, Kazar enlists keyboardist Dave Curtin (Woongi), co-producer James Elkington on pedal steel, as well as Ohmme and Andrew Sa on backing vocals.
I think the pedal steel on this album is the secret weapon, at times adding a more grounded traditional feel and other times a more spaced out atmospheric vibe. I his is demonstrated on tracks like “Nothing To You” and “On A Spanish Dune.”
This is one of those albums that reveals more and more of itself with repeated listens. Kazar’s choices for keeping things light and joyful are refreshing.  The R&B style of production helps smooth some of the edges of the more ambitious sounding keyboard parts.
And of course it’s always nice to see a local guy kicking it to the next level! I predict the inability to easily categorize this album is going to hook a lot of folks into it.
– Major Matt
Weekly Review 2:
After performing on the peripheries of the Chicago music scene for nearly a decade and playing with Jeff
Tweedy, Chance the Rapper and Daniel Johnston, Liam Kazar finally dropped his solo debut.
Putting Due North on the turntable is like turning on a light – it makes everything in the room glow a
little brighter and radiate warmth. Album closer “Something Tender” manages to combine ‘80s
synthesizers with pedal steel guitar offers words of comfort about an ex-girlfriend. Single “Frank Bacon”
finds Kazar offer support to a friend over a tight, funky drum pattern from Spencer Tweedy, son of Wilco
frontman Jeff Tweedy.
The senior Tweedy’s influence can be felt on Due North, but never blatantly, mostly manifest in phrasing
and arrangements. Similarities to David Byrne are evident in Kazar’s vocal delivery and sometimes-
serpentine guitar lines, but Kazar has progressed well beyond the game of spot-the-influence.
Two years ago, Kazar moved from Chicago to Kansas City. We are fortunate to have him as part of our
music community. It will be fun to see where Kazar goes. After so much time on the sideline, it is
obvious Kazar has absorbed a lot and is ready to lead. -Joel Francis

Michael Jackson – HIStory: Continues

Michael Jackson – Dangerous (180 Gram Vinyl)

Mammoth Wvh- Mammoth WVH

Mark Knopfler – Down The Road Wherever (With CD, Boxed Set)

Metallica – 5.98 Ep – Garage – Garage Days Re-revisited

The Muslims – F*** These F***in Facists (Pink Colored Vinyl, Indie Exclusive)

Mono – Formica Blues

Weekly Review:

No – not THAT band Mono from Japan. THIS Mono was a British electronic duo consisting of Martin Virgo on sounds and female vocalist Siobhan de Maré. It was criminal of Mercury Records not to back this duo up, resulting in only one album, “Formica Blues” – a late 90s gem of a trip-hop album that harkens Portishead, Massive Attack and Saint Etienne vibes. Luckily for us, Music On Vinyl is reissuing this album on vinyl.

Originally released in 1997, “Formica Blues” leads off with their biggest single, “Life In Mono”, which was also featured in the 1998 movie “Great Expectations”. It also was the subject of many club mixes.  One mix entitled “Alice Band Mix” which was included on the CD version has a great bass-line groove with spooky strings in the background. I’m hoping it’s included here.

“Silicone”, “Slimcea Girl” and “High Life” were also released as singles, the latter being a homage to Martin Virgo’s self-stated biggest influence, Phil Spector. He wanted to capture that “wall-of-sound”, Ronettes style of 60’s pop, and “High Life” delivers in spades. Track 4, “The Outsider”, has a dark, mysterious ambiance that just envelopes the listener and is probably my favorite.

Breathy vocals, sample loops, trip-hop and downtempo beats permeate every track on this album. Siobhan’s dreamlike delivery over the hypnotic soundscapes makes this album a worthy addition to any record collection. -David Lombardo

Naughty By Nature – Naughty By Nature (30th Anniversary) (Yellow & Green Splatter Vinyl, 140 Gram Vinyl)

Nikki Giovanni – Like A Ripple On A Pond (Blue Clear Vinyl)

Nikki Giovanni – Way I Feel (Red Clear Vinyl)

The New Pornographers – Mass Romantic (Red Colored Vinyl, Limited Edition, With Bonus 7″)

Norah Jones- I Dream Of Christmas

Neutral Milk Hotel- In the Aeroplane Over the Sea

Nirvana- In Utero

The Notorious B.I.G. – Ready To Die (140 Gram Vinyl)

Nas – Illmatic

Olivia Rodrigo- Sour

Osees – Levitation Sessions II (Red, Blue, Colored Vinyl, Indie Exclusive)

The dearth of live shows in 2020 has revealed an unexpected bounty in 2021. Because live performances
were so rare, most acts recorded them. The steady trickle of those professionally recorded shows is a
treasure for dedicated fans.
In the autumn of 2020, California-based garage/psych rockers Oh Sees played a concert in the desert
that was livestreamed and now released on vinyl. This 15-song, 50-minute set encompasses classic
numbers, such as “The Fizz,” as well as newer material like “Terminal Jape.”
Band leader John Dwyer delivers a tight set, with each song building off the previous number,
culminating in the nearly 12-minute finale “Block of Ice.” The performance is blunted because its
placement on a bonus 7-inch single, necessitating an inconvenient fade in/fade out in the middle when
the side needs flipped. Despite this, band plays with a passionate abandon that will not be denied.
Perhaps the best news about the Oh Sees’ Levitation Session is that a second volume is also available
(and nearly twice as long). It almost makes up for not being able to be there in person. -Joel Francis

Prince – Purple Rain (Picture Disc Vinyl LP)

Prince – Welcome 2 America (Gatefold LP Jacket, 150 Gram Vinyl, Etched Vinyl)

Prince – Welcome 2 America (With CD, With Blu-ray, Boxed Set, Deluxe Edition)

Puss N Boots – Sister

Queen – Greatest Hits

Radiohead – Kid A Mnesia (Gatefold LP Jacket, 3LP)

Robert Plant & Alison Krauss – Raise The Roof (180 Gram Vinyl, Indie Exclusive, Alternate Cover)

Sam Cooke – Portrait of a Legend 1951-1964

Steve Lacy – Distant Voices

The Silvertones – Silver Bullets (Limited Edition, 180 Gram Vinyl, Orange Colored Vinyl)

Slowdive- Souvlaki

Slothrust – Parallel Timeline (Yellow Colored Vinyl, Indie Exclusive)

Sturgill Simpson- High Top Mountain

Townes Van Zandt – Rear View Mirror

Warlock – Warlock (140 Gram Vinyl)

William Hooker – Symphonie Of Flowers

Velvet Underground & Nico- The Velvet Underground & Nico

Wolf Alice – Blue Weekend

It only takes a few moments listening to Blue Weekend to realise that is not a fate which awaits Wolf Alice. This is an album which feels like a huge step forward, a statement of intent even. The choice of Markus Dravs as producer is a wise one – the man who remoulded the sound of the likes of Arcade Fire and Florence And The Machine has created a huge canvas for the band to properly develop on.
Like all the best albums, Blue Weekend hops from genre to genre. There’s mosh-friendly punk on Play The Greatest Hits, which follows the beautiful FM rock ballad sheen of How Can I Make It OK. There’s sad break-up songs like No Hard Feelings and defiant, gnarly rock like Smile. Above all, there’s a swell and confidence to the entire album – about two minutes into the opening track The Beach, you realise you’re listening to something very special.

Smile has a bite and thrust about it which grabs you right from the start – it almost feels like a musical manifesto with lines like “I am what I am, and I’m good at it, and if you don’t like me, well that isn’t f@#&ing relevant”. It bursts into life in the chorus, with the sort of irresistible swagger that you can only imagine how great it would sound in the live arena.

The more reflective moments work equally well. How Can I Make It OK is a synth-heavy ballad with an understated chorus that buries itself deep inside your head. It’s The Last Man On Earth which really marks Wolf Alice’s arrival into a whole new stratosphere though – beginning as a fragile piano ballad before swelling gloriously into a huge, choral-led number.

By the time The Beach II rolls around to close the album, you’ll want to go back to the start and listen to it all again. Blue Weekend is Wolf Alice’s best work yet – a confident and blistering spin that’s guaranteed to be on many people’s ‘best of’ lists at the end of the year. Never mind the Mercury Prize – this is an album with its sights firmly set on the Grammys. Pick up a copy while they last from your friends at the vinyl underground. – Albert Schmurr

Wiz Khalifa- Rolling Papers

Weekly Review:

Pittsburgh rapper Wiz Khalifa’s major-label was hotly anticipated on the back of mixtapes and the sports
anthem “Black and Yellow.” What arrived didn’t match those expectations, but still holds up as a fun
listen a decade later.
Rolling Papers found Khalifa embracing big pop hooks and working in the same vein as B.o.B. or a more
accessible Kid Cudi or Curren$y. Cries of sellout quickly arrived from the hardcore hip hop community,
but everyone else was having too much fun dancing and singing along to care.
“No Sleep,” one of two Top 40 singles from Rolling Papers, is an upbeat jam about partying all weekend
that never fails to bring a smile to my face. On the synthed-out bliss of “Roll Up,” the album’s other Top
40 single, Khalifa promises to be boyfriend every woman deserves.
Other high points include, “Wake Up,” another jubilant party track, the break-up song “Get Your Sh-t”
and “Rooftops,” where Khalifa gets an assist from Curren$y. Production from StarGate, Eric Dan and
others splash the songs with day-glo ‘80s synthesizer tracks and handclaps, which make the album feel
like a continuous party. A few introspective, downbeat tracks pause the good times just long enough to
offer a moment to rest before the next fiesta hits high gear.
In subsequent releases, Khalifa has dialed down the fun to demonstrate his hip hop cred. Good for him,
but he’s never released an album as accessible and infectious as Rolling Papers. -Joel Francis


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Shuttlecock Music:

Which records, tapes, and CDs are your favorite local artists buying? On this episode of Record Shopping with Shuttlecock, we head to The Vinyl Underground at 7th Heaven (7621 Troost Ave., Kansas City, Missouri) with Kansas City-via-Chicago singer-songwriter Liam Kazar to do some digging. Tune in to find out what he copped. Liam Kazar’s debut album, Due North, is out now via Mare/Woodsist and is available at record stores and on all digital streaming platforms. Follow @ShuttlecockMag on social media and visit Grab a t-shirt, button, or magazine from to support the channel. Make sure to like, subscribe, and share.

Turntables! We got ’em. From starter tables to audiophile, and everything in between, we have you covered. We are honored to once again be carrying a full line up of the award winning, top of their class, made in America, U-turn Orbits! We have all the colors- including the high performance walnut and maple. Get here fast for best selection. Get yours today!

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Enjoy the music and we will see you soon. Your loving Vinyl Underground at 7th Heaven staff:

Sherman, Gordon, Cat, Matt, Dylan, Doyle, Heather, Dave and Lain